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Objects, considered.
A small, exacting collection of design objects — chosen for material, form and the quiet they bring to a room. Presented like works on a wall; available to take home.
Objects that hold a room without raising their voice
A study in restraint. Across two dozen pieces — turned oak, hand-blown glass and unglazed stoneware — this selection asks what an object becomes when nothing decorative is allowed to remain. Each work is chosen for proportion and material honesty, and presented here exactly as it sits on the gallery floor: alone, lit, and unhurried.
An index of the rooms that make up the collection. Choose a way in — by object, by use, or by the makers themselves.
MakerMOHA studio edition
Made in a small, deliberate run, this object is shaped by hand and finished slowly — the material is allowed to read as itself, with nothing decorative added on top. Held in the light, the surface keeps a faint record of the maker: a turned line, a thumbed edge, the soft variation of a glaze that no two pieces share. It is built to be lived with, and to age without apology.
A few words from the people who live with the collection.
The pieces arrive feeling considered all the way through — the weight, the unglazed foot, the way the box opens. Nothing is decorative for its own sake.
I came for a single vase and stayed for the curation. It reads like a small museum that happens to let you take the work home.
Honest material, quietly made. Two seasons on, the oak has only become better — exactly as promised on the wall-text.
The questions we are asked most, answered plainly.
A rotating selection of objects chosen for form, material and restraint — each presented, captioned and priced as you would find it on the wall.
