Now open · Gallery & Store

Objects, considered.

A small, exacting collection of design objects — chosen for material, form and the quiet they bring to a room. Presented like works on a wall; available to take home.

Enter the collection Read the curatorial note

Featured object from the collection — Plate I — from the current installation

Featured exhibition

Quiet Forms

Objects that hold a room without raising their voice

A study in restraint. Across two dozen pieces — turned oak, hand-blown glass and unglazed stoneware — this selection asks what an object becomes when nothing decorative is allowed to remain. Each work is chosen for proportion and material honesty, and presented here exactly as it sits on the gallery floor: alone, lit, and unhurried.

On view: Through the season
Works: 24 objects
Medium: Ceramic · Glass · Oak

View the worksCurated by the MOHA studio

On view

The permanent collection

A rotating selection of objects chosen for form, material and restraint — each presented, captioned and priced as you would find it on the wall.

See the full collection

Floor plan

Browse the galleries

An index of the rooms that make up the collection. Choose a way in — by object, by use, or by the makers themselves.

On this object

Honest material, made to be kept

MakerMOHA studio edition

Made in a small, deliberate run, this object is shaped by hand and finished slowly — the material is allowed to read as itself, with nothing decorative added on top. Held in the light, the surface keeps a faint record of the maker: a turned line, a thumbed edge, the soft variation of a glaze that no two pieces share. It is built to be lived with, and to age without apology.

Materials: Unglazed stoneware · turned oak
Dimensions: H 240 × ⌀ 120 mm
Finish: Hand-sanded, oiled by hand
Origin: Made in the studio
Edition: Open, small-batch
Care: Wipe with a soft, dry cloth. Re-oil once or twice a year to keep the surface even. Keep clear of direct heat and standing water.

The studio

A gallery that lets you take the work home

MOHA began as a single shelf — a few objects we could not stop looking at, set apart from everything else in the room. We wanted to know why they held the eye, and the answer was always the same: nothing on them was decorative. The form was the use, the material was the finish, and the maker had been honest the whole way through.

So we built a gallery that is also a store. We choose work the way a curator hangs a show — for proportion, for material truth, for the quiet a piece brings to a space. Each object is named, captioned and priced exactly as you would find it on the wall, and sent to you the same way it leaves the floor: alone, considered, and unhurried.

Read the full note

Visitors’ book

What visitors say

A few words from the people who live with the collection.

The pieces arrive feeling considered all the way through — the weight, the unglazed foot, the way the box opens. Nothing is decorative for its own sake.

Marin AldousCollector, Copenhagen

I came for a single vase and stayed for the curation. It reads like a small museum that happens to let you take the work home.

Elif KorhanInterior architect

Honest material, quietly made. Two seasons on, the oak has only become better — exactly as promised on the wall-text.

Jonah ReeveStudio MR

Help

Information desk

The questions we are asked most, answered plainly.

Where are the objects made?

Each piece is made in a small, deliberate run by the studio or by a maker we show. We name the hands behind every work on its wall-text, and ship from our own floor.

How are works packed and sent?

Objects travel the way they sit on the wall — alone, cushioned and unhurried. We pack by hand in plain, recyclable materials and send tracked. Delicate glass and ceramic ship double-boxed.

Can I return a piece?

Yes. If an object is not right for your room, return it unused within 30 days for a full refund. Editions and commissioned work are final sale, noted clearly at checkout.

Do you take commissions?

Occasionally, and slowly. Write to the studio with the room, the use and the material in mind and we will tell you honestly whether it is something we can make well.